So does anyone besides me remember when Marvel Comics stood for something? Back when they stood against the Comic Code Authority in order to publish an anti-drug issue of Amazing Spider-Man? Remember when they were considered the Mavericks of the comics industry?
How times have changed.
Recently a perfectly innocent variant cover of the upcoming Spider-Woman #1, itself part of the massive Spider-Verse event that seeks to shake the world of the Amazing Spider-Man to its very core, was announced and it raised some concern from, well, almost no one until the self-professed watchdog group called The Mary Sue decided the cover over sexualized the character.
Aside from the fact they are wrong, the pose is common with Spider-Man but that doesn’t stop them from focusing on this one cover. Of course they don’t seem to understand the concept of a VARIANT cover, just like Dennis Berger who, earlier this year, threw an unnecessary fit over a great looking Powerpuff Girls variant cover. They don’t seem to understand that variant covers are not aimed at the general public but mostly at more hard core collectors. But apparently that doesn’t mean anything to these people. They want to impose their version of ‘what’s appropriate’ on everyone.
But now it seems that Marvel is dropping the artist of this cover from upcoming books. They claim it’s due to a scheduling conflict but the timing is highly suspect. On the surface it appears the ones brave and trailblazing House Of Ideas has become a cookie cutter corporation that cares more about being safe than being fun. But this also flies in the face of some of the things Marvel has done in recent years: two gay characters getting married, Captain America being shot and killed, Doctor Octopus taking over the body and life of Peter Parker and becoming the Superior Spider-Man… These controversial decisions were announced and put into print despite the complaints of some.
Why is Marvel suddenly caving in to the childish and, honestly, stupid complaints of a group that has no sway or pull with anyone but themselves? I mean, it could very well be what Marvel claims and they overbooked this artist but considering what Marvel is doing with the X-Men and the Fantastic Four (even claiming the reason they aren’t planning a new animated X-Men series is due to ‘lack of fan interest’) I don’t really buy it. But time will tell, Marvel claims Milo Manara will be returning with new covers in the future but the question now is will they be the same level of awesome the Spider-Woman cover is or will they be watered down?
Personally, when I first saw the cover I wasn’t all that impressed with it but I knew I wanted it. In my humble opinion the variant cover looks much better than the Greg Land standard cover. It just sucks to think that due to this fake controversy that I’ll have to pay more than the standard variant price for it.
Between now and January 2015 I’m going to be working on something to celebrate 25 years of collecting comic books. I’m very open to suggestions for this one.
One thing I’m doing is completely updating my index and rebagging many of my books along with boarding books from 1990 and older. I’ll finally (hopefully) decide on grading books in my collection as well.
Bagged And Boarded is now Comic Book Hangover.
Why the change? Mostly I was bored with the old title but as I near my 25th year collecting comics I feel the term ‘hangover’ is a great one to apply to how I’m feeling about the comics industry these days.
So, it’ll be the same fun blog, hopefully with more posts and stuff as I’m able to think of things to do.
Thanos. One of Marvel’s most iconic characters. He worships both death and deals it out very well. His story is unique in that he is generally a villain, in the 1970′s he tried to destroy the universe many times until he was finally killed in Marvel Two-In-One Annual #2(1977), but he also fought on the side of the heroes. His rebirth in the pages of the Silver Surfer in the 1990′s introduced a whole new generation of comics fans to the madness of the Titian. With his return he was given a specific task by his Mistress Death. This is the beginning of his fulfilling that task…
THE THANOS QUEST
Written by Jim Starlin
Art by Ron Lim
Book One: September 1990
Book Two: October 1990
Collection Edition: March 2000
It goes like this: Mistress Death has decided that there are more living beings in the universe than there are dead and she seeks to correct that mistake. Her tool is the one being that spent the better part of his life dealing out the gift of death: the Mad Titan, Thanos. She charges him with a monumental task: Kill of one half of all the sentient beings in the universe.
Even though his powers were augmented by Death he knows he needs more. Within in Death’s domain is The Infinity Well and Thanos knows that “within its cosmic vortex lies universal knowledge unimaginable.” While gazing into its depths he discovers the tools he needs to commit cosmic mass murder, six objects at the time known as the Soul Gems.
After he convinces Mistress Death these gems are necessary in order to carry out her task, he begins his Quest.
But instead of going after any random gem, Thanos realizes how each gem, once obtained, can aid him in gaining the next gem. After all, the gems aren’t just laying about, no, most of the gems have found their way into the possession of beings known as The Elders Of The Universe, a crafty and dishonest bunch who are more obsessed with their given life goals than anything else. The exception is the green gem which controls the soul. Formerly the property of Adam Warlock and also the very gem that was used to kill Thanos in 1977, this gem is now in the hands of a being known as The In-Betweener.
After Thanos liberates the green Soul Gem from The In-Betweener and the red gem which grants infinite power from the warrior Elder called The Champion, Thanos then decides since only one gem has anything to do with the soul, perhaps a better name for them would be Infinity Gems since each gems infinitely controls one aspect of reality.
I won’t give away much more of the story to those poor souls who haven’t given themselves the honor of reading such a classic story but I will say this: The Thanos Quest is a perfectly written story. While the main character is a villain and the main reason he’s on this Quest is to gain the power to slaughter half the sentient beings in the universe, this story shows different layers to Thanos’s character. We see that, while he’s a cold-blooded mass murdering monster, he also has a certain level of respect for certain beings and, in the case of The Gardener, would rather pick a different, less fatal way of gaining certain Gems.
We also learn Thanos isn’t a creature of mindless violence, no, this story builds on certain concepts began in the 1970′s that show Thanos a calculating being. Nearly everything he does has at least one purpose behind it. For example: He quests to gain the gems to grant his beloved Mistress Death’s wish but another reason he does it is so he would be more powerful and, perhaps, an equal to his love.
These are all facets of his character that were added without trampling on everything that had already been established before. Unlike the mess that we know as Thanos Rising, this story adds these elements without trying to make Thanos seem like a misunderstood sensitive child. He’s cold, ruthless, calculating, yet has something resembling a conscience and this all works together because of the fact that he is Thanos of Titan. It’s stories like this that show just how complex he really is. Basically, Starlin is almost the only person who can actually write Thanos correctly.
On the art side, Ron Lim shows how cosmic stories should look and pretty much set the standard. At the time this story was published he was also doing the art chores on the then ongoing Silver Surfer series. He would go on to draw the Infinity Gauntlet event miniseries which the events of this miniseries lead into.
Overall, The Thanos Quest is an expertly written masterpiece and is arguably the best example of how to showcase a villain without having to water him or her down to make them more human. It’s difficult to feel sorry for Thanos when he fails in a task or shows regret for having to murder a character like The Gardener, even knowing The Elders cannot be killed, while his end game is the murder of many, many more beings.
After recently re-reading this book I have rediscovered the excitement of this era of Marvel Comics, a time when comics didn’t have to be based in our ‘reality’ and weren’t created in hopes of being made into a movie. These stories were done for fun and for no other reason (Well, it was also to set up an event that would tie-in with many other titles in hopes of getting a sales boost). This story led into the legendary Infinity Gauntlet event in which Thanos, now in possession of all six Infinity Gems, sets out to complete his task and it’s up to a collection of Marvel’s mightiest to try to stop him.
The Thanos Quest itself is a follow-up to a story which was also collected and called Silver Surfer: The Rebirth Of Thanos and is also well worth reading. Fans of Marvel’s current run of cosmic comics like Nova and Guardians Of The Galaxy as well as fans of the events Annihilationand Annihilation: Conquest would enjoy these stories just as much because of their scope and their depth. Not to mention it’s a really great introduction to the maniac who is at the center of the current Infinity event. Truly, Marvel Classics in every sense and highly recommended!
Normally when I do these things I prefer to pick books that are older than just 5 years but this is something of an occasion. I’m sure you’ve all heard of this little thing Marvel has going called Age Of Ultron featuring Marvel’s resident psycho-bot finally succeeding in taking over Earth and making a mess of everything. Well, in light of the attention Ultron is getting I figured it would be fun to go back and take a look at another event where Ultron was the main baddie.
So, let’s get the vitals out of the way: Annihilation: Conquest ran from August 2007 through June 2008. It was told through a grand total of 23 books: a Prologue followed by a mini-series featuring Ronan, Quasar, and a new character Wraith, and Nova #4-7. It would wrap up in the 6-issue Annihilation: Conquest series. The talent involved included Dan Abnett and Andy Lanning, Keith Giffen, Christos Gage, Tom Raney, Kyle Hotz, and many more. It was a fairly extensive event but the way it was told allowed it to flow smoothly and not feel as overwhelming as it should have been. Honestly, it didn’t feel like a 23-book event when I was buying it. Now that that’s out of the way, what was this whole thing about…
*Considering how big this event was, I’m going to be passing over a lot of stuff but all that means is you’ll have plenty of surprises when you grab this story!*
Annihilation: Conquest is the follow-up to Annihilation, the big event that made Annihilus a serious threat to the Marvel Universe as well as pulling Nova, Quasar, Super-Skrull, and Ronan The Accuser into the spotlight in a big way. Honestly, Nova was always a character I couldn’t have cared less about if I tried but after this story I became a big fan, even sticking with the character after the event as well as picking up Essential Nova, Volume 1. But how do you follow-up an event where even the mighty Galactus fell victim to Annihilus and Drax The Destroyer finally fulfilled his purpose in killing Thanos (who later got better… again)? Well, you pick up at the end.
While Phyla-Vell, now called Quasar, and her girlfriend Moondragon were doing their part to protect the innocent, Quasar was also being contacted by a voice. Who and why would become clear later but while this was going on Peter Quill, formerly known as Starlord, was working with the Kree and their new leader Ronan to improve their defense system after it and much of the Kree Empire was destroyed by the Annihilation Wave. He does this with the aid of the Space Knights who have come to install some of their tech into the Kree Battlenet.
From here, both Quasar and Moondragon and the Kree empire are attacked. At first it isn’t clear what’s going on but soon enough the ones responsible make themselves known. The main focus of the action here is on the Kree as their Sentries begin to attack their masters. As the chaos spreads across the planet, and as Quasar and Moondragon manage to destroy the Sentry that attacked them, the Sentries on Hala, the Kree Homeworld, begin to converge in the middle of their biggest city and create a spire of sorts. This is where things begin to get bad: once the spire is complete a ‘massive energy pulse’ is released and seemingly does nothing. We soon find out it did a lot. But back on Hala the enemy takes form as the Phalanx revels in its Conquest.
That was just in the prologue issue. From there we launch into four different books:
In Quasar, Phyla continues to try to master her new role as Guardian of the Universe as well as coming to grips with the fact that her power is draining fast and that pesky voice in her head is drawing her someplace, a place the Phalanx wants to get to first because whoever the voice is… it’s either a major threat or a weapon. Quasar is also fighting a battle within herself as a darkness inside her grows. The ending of her series gives us a clue as to who and what the voice was guiding her to. Then there is the source of the voice itself,something with a very big connection to the Kree Empire! They find a cocoon of sorts, one long time Marvel fans were familiar with.
In Starlord Peter is drafted by the Kree to launch an attack against the Phalanx in order to regain their world. They know that tech is the enemy but really have to knowledge of how to fight a low tech war, but humans do and humans are expendable. They give him a team to work with, equally expendable, a team that includes the self-professed Cosmic Madonna: Mantis, the Shi’ar Deathcry, another human with the powers of Captain Universe, from the Microverse: Bug, and finally: Rocket Raccoon and Groot. Their story is more Inglorious Bastards than Guardians Of The Galaxy but make no mistake: this story sets the foundations to what would become the Guardians and is well worth the read!
In Nova #4-7 we really learn what the Phalanx did: they actually took Kree Space and ‘shifted’ it so it was no longer connected to the rest of the universe! This was so they could complete their conquest without outside interference, I imagine they were thinking the likes of the Avengers or the Silver Surfer, and fully take over the Kree and anyone else in their space before spreading their empire to the rest of the Marvel Universe. Needless to say it wasn’t easy for Nova to fight this fight. First he was very nearly killed and the Nova Force transferred itself to a Kree survivor, then after healing enough to regain the power he had to deal with the Phalanx possessed Drax and Gamora. But he didn’t come through this without taking on a lot of damage and tasting what the Phalanx offered!
Then there’s the new kid. Wraith followed the mysterious entity who would come to call himself Wraith. The Phalanx wanted him dead because there was something about him that made them feel fear. He was on his own mission and it was tied to his childhood, his father, and the symbiote-like entity that made him what he is. Along his quest he meets up with Ra-Venn who kind of reminds me of the character White Raven who appeared in Silver Surfer: Dangerous Artifacts back in 1996. She is hoping to use whatever powers Wraith has to fight the Phalanx. But things go south when they are captured and they see that Ronan has been taken by them; it’s even worse when they find the Super-Skrull and what they did to him.
All these books then converged in Annihilation: Conquest #1 where we see Blastaar getting involved as well as the long-awaited return of a Marvel Icon: Adam Warlock! Adam saves Quasar and Moondragon and then turns to the one guy he knows who can help him adjust to his new form and powers: The High Evolutionary. Meanwhile, Wraith, Ronan, and the Super-Skrull head to get some help from the only people left unaffected by the Phalanx and some of the special selects of the Phalanx have to answer to the real mind behind the Conquest as Ultron remakes his body and takes a more direct role in the event.
From here, Ultron specifically targets Warlock. We soon learn that despite the robots hatred to humans, he sees Warlock as the perfect vessel for his consciousness. Wraith and crew form an alliance of sorts with Ravenous, one of the remaining heads of the Annihilation Wave that now rules a planet in the Kree Empire, in order to gain access to a platoon of Sentries that aren’t connected to the Kree Warnet and so aren’t infected with the Phalanx. Starlord and his crew discover the Spire created at the beginning of this story hold more significance and make that their prime target.
This is where things get out of control. We get a few new players, I’ll just say there is more than one character named Warlock in this story, and the death of a longtime character. Ultron’s involvement with the Phalanx makes him a major threat, and yes, it’s explained how he meets and takes them over.
Now, I am overlooking a lot of things that happen in this story mostly because there is a lot that happens here. I’ve read this story and its predecessor numerous times and it’s always an amazing read. It’s mostly because I like how the story was presented, by using separate miniseries to introduce the different characters, you were able to get a full feel for the size and scope of the event without it feeling rushed or getting overwhelmed by it. The same format was used for the original Annihilation and that’s also a great re-read.
Also, if you’re looking forward to the new Guardians Of The Galaxy (out next week) or the upcoming movie of the same title, this is the story that lays the groundwork for what would become the Guardians. And you shouldn’t worry about the number of books that makes up the story, you can get the collected edition in two easy to handle trades available at finer comic shops and on Amazon.
I do recommend it!
It’s February and you all know what that means: Valentine’s Day… and, of course Valentine’s Day means zombies! Yeah, I know, there’s a bit of a stretch but this year is different with the release of the movie Warm Bodies which, honestly, I’m a little concerned with. That last thing I want is my beloved zombie genre to be infected with the hated Twilight virus which make monsters into objects of romance. But the horror of turning monsters into lovable creatures is a topic for another day. Today we take a look at REAL zombies. Not the kind whose heart begins to beat again because they saw some girl, no, these are the kind of zombies who prefer the beating heart to be in their hand… after they’ve ripped it out of the girl’s chest.
Today I dig deep into my collection for a zombie miniseries from the fine folks at IDW. You see, way back in 2006 they began to publish comics about zombies and this is the very first one:
ZOMBIES! FEAST began in May of 2006 and concluded its 5-issue run in October of 2006. It was written by Shane McCarthy with interior art by Chris Bolton (issues 1, 2, and 4) and Enrigue Lopez Lorenzana (issues 3 and 5) and had some amazing Chris Bolton & Ted McKeever covers which were all wraparound and when placed end to end created one long zombie picture.
The story doesn’t really tell much about how the zombie thing started or how wide-spread it is, which is fine because that never really matters to me, it focuses on a bus full of criminals being transferred. Of course, they are supposed to be the worst of the worst. While on their way someone wanders into the road and to avoid hitting this person the bus wrecks and kills the driver.
From here the group tries to find its way to a town or, at the very least a phone, to find help and a way to get the criminals to a place where they can’t hurt anyone. Their journey takes them to a farmhouse that has seen better days. It’s here that we begin to realize that something is wrong and to go along with that we lose a few people, including the officer in charge of this operation.
Things begin to pick up when the rag-tag group locates a small town and sees that it’s over-run with zombies. While running through the town they meet up with a small group of survivors and some of the criminals revert back to type while others see this as their chance at redemption. This was the one thing that stood out aver all these years: the characterization. While some of the characters are less than developed, there are many who are and you can see their evolution in this end-of-the-world situation. There are some of these criminals that, when they die, you actually feel bad for because they were really trying to be better people in the end. As the story progresses, however, the question really becomes ‘who is going to survive this?’ and the last issue naturally answers that question in a classic horror comic way. And by classic horror comic I mean EC comics of course. While many will see the ending long before we get there, it’s still a kick in the head. Beyond that, I really can’t say too much about the story, it really isn’t a new concept, humans trying to survive the zombie apocalypse, but any fan of the genre will tell you while the basics are the same, it’s how the individual characters react that make things interesting. I’ve also long wondered if this story, and the ones that followed, take place in IDW’s Zombies Vs. Robots reality. Certainly the argument could be made…
On the art side, well, the art is a lot more shaky. Bolten’s art is a lot more solid and fits the tone of the book far better than Lorenzana’s but honestly I think that’s more due to him coming in part way instead of doing art on the full story. Had he done the whole thing it wouldn’t have made such an impact. But the interior art is outshined by the covers, Those gorgeous zombie covers. They connect and become one long picture, sort of like the zombies that grace the lower portions of the covers of trades for The Walking Dead. Even after all these years, the covers for this story are still some of my all time covers for independent zombie comics.
I think it’s also interesting how these days when a new zombie comic is announced people who write about such things are always quick to call the zombie comic genre ‘tired’ or ‘long since dead’ but they obviously aren’t paying attention because while we do have a lot of bad zombie comics, there are many more good to great zombie books out there. This one came out in 2006- almost 7 years ago. This shows me that, if done right, zombie comics can go for a very long time. Naturally, I’m a little biased in this thinking because I love the zombie concept and support the good stuff all I can while ignoring the crap (like the upcoming World War Zmovie) But if you are interested in checking out some older zombie stuff, and willing to forgive some aging in the writing and art, then I could honestly suggest Zombies! Feast. There was a follow-up called Eclipse Of The Dead which ran for four issues but a third story,Hunters, abruptly ended before being competed (to the best of my knowledge, that is) butEclipse is a worthy follow-up to this one, as I remember it, and may end up in a future It Came From The Longbox!
New year, new It Came From The Longbox column! It’s been a while since I’ve done one of these but I’ve missed it and was only waiting for the right time to do another one. Well, the right time seems to be now so let’s dust off the intro and get to it:
Deep within my collection there are books long forgotten, either by chance or by choice. It Came From The Longbox is where some of these books will find a new life, if only for a single review…
Over in IDW, they seem to be having trouble with some pesky Martians who have made their way into the various realities that make up the IDW Universe. From Popeye and KISS to The Real GhostBustersand The Transformers, many realities are being attacks by Mars and it’s exciting and messy. Even IDW’s own Zombies Vs. Robots is under siege.
So that got me to thinking about other alien invasion comics and what one could be the focus of the first Longbox review of 2013 and only one seem to come to mind: Invasion!
Published in 1988 (25 years ago!), this book was told in three issues. Each book featured 80-pages, like the Giant-Size books DC did back in the day, and also featured only story, no ads. The plot was by Kieth Giffen with a script by Bill Mantlo. Art was done by some pretty big names: Todd McFarlane worked on the first two issues, Bart Sears worked on all three including doing the covers, and Giffen himself worked on the layouts. Inking was done by such talents as P. Craig Russell, Dick Diordano, Joe Rubinstein, Tom Christopher, and Al Gordon. It also crossed over into some 30 DC Universe titles. It was a massive undertaking considering it was only 3 issues!
The Invasion was the idea of a group of aliens called the Dominators. They formed a coalition of some of the universe’s most powerful alien races, including the Khund and the Thanagarians, to invade the Earth in order to stop the spread of ‘meta humans’ or super heroes. During their invasion, they abduct different humans and perform tests and experiments on them in order to figure out what triggers the ‘meta gene’ that turns humans into super humans.
However, as the invasion progresses and heroes defend the Earth from various places around the globe, it becomes obvious that destroying the Earth wasn’t in the plans of the Dominators at all. Their real plans are to control the superhumans, most likely in an effort to dominate the whole universe.
From there the story progress to the inevitable defeat of the invasion and the retaliation of one Dominator who detonates a ‘gene bomb’ that remove the powers of some of the super heroes, and villains, and slowly begins to kill many of them. This leads to a reverse invasion as some of Earth’s heroes led by Superman (who didn’t want to return to Earth after the gene bomb was set off, fearing that if he lost his powers then all hope would be lost as well), on the Dominator homeworld to find a cure for Earth.
So, in the end, this turns into a rather massive one-and-done story that kind of holds up after fairly well after 25 years. The only real problem for it is the constant rebooting and ret-conning of the DC Universe. It would seem the recent New 52 reboot has all but negated this entire story. That doesn’t make it any less entertaining but I imagine it would be far more entertaining for those who have a true love for the DCU. For someone like me it was an alright read. I’ve owned this book for over a decade and this was really the first time I read it all in its entirety
If you’re reading and enjoying the current Mars Attacks IDWstory but would like to have an alien invasion that impacts popular superheroes, then this is the story you should check out. Just keep in mind that it’s 25 years old and a LOT has changed in the DC Universe since then, and not always for the best. Entertaining and interesting, an invasion event long time DC fans should love!
Deep within my collection there are books long forgotten, either by chance or by choice. It Came From The Longbox is where some of these books will find a new life, if only for a single review…
Normally when I do these reviews I prefer to do them with books five years old or older but this is a special exception. Last week the reboot movie, Amazing Spider-Man, started and featured the classic Spidey villain the Lizard. that got me to thinking about Lizard stories through the past and I realized…there really aren’t a lot of Lizard stories that stand out. Then I remember one that ran recently and thought that even though it’s still fairly new that it’s a good time to give it a good look.
“Shed” was part of an overall story line called The Gauntlet which featured the long awaited return of the classic Spider-Man villains who were making their first appearance in the Brand New Day era. Many got new looks and adjustments to their powers and motives and The Lizard was no exception.
He’s no longer a man trying to cure his lizard half. In “Shed” we get something of a role reversal. While Connors is trying to keep the Lizard under control and suppressed, The Lizard is trying to escape his mind. He slowly works his way though the thoughts of Dr. Connors and during a Lizard-induced confrontation with his boss, Connors transforms into an all-new, very deadly Lizard and the killing spree begins.
Things go from bad to worse once Spider-Man gets involved and realizes the Lizard may try to harm Dr. Connors young son, Billy. In his mind Connors is still fighting for control and sees the arrival of Spider-Man as the best possible thing to happen at this time but not even Spider-Man can stop the monster as they fight in front of Billy’s house. During the fight, Spider-Man sees all of the blood inside the home. Thinking The Lizard has already been there he tries to get through to Connors again in hopes of getting time to help the injured family inside. The Lizard leaves and Spider-Man thinks he gotten through to him but he couldn’t be more wrong. Before the Lizard and Spider-Man arrived, Billy was taken by Ana, the daughter of Kraven The Hunter (remember, this was all part of The Gauntlet. The overall story was the return of the Hunter and the family’s revenge on Spider-Man. It was very odd and, honestly, not one of my favorite recent Spider-Man plots.)
Towards the end of Amazing Spider-Man #631 we get what is possibly one of the most gruesome moments in the title’s history. Thanks to Kraven’s daughter The Lizard tracks down young Billy in an alley. The boy doesn’t fight and isn’t surprised that he’s in this situation because, as he says, he always knew it would come down to this and the Lizard would kill him.
And that’s exactly what The Lizard does. Partially based on instinct but mostly to destroy the human part of his mind, The Lizard kills and eats part of young Billy Connors. The sequence is very well done, including the ‘death’ of Curt Connors who all but gives up trying to regain control over the beast. You really feel for the guy.
Then the biggest change for The Lizard begins. After killing Billy he seemingly dies, Spider-Man thinks he’s dead but soon realizes that he’s shedding his skin and out comes a much smarter, and much more dangerous Lizard. But it gets worse than that. Before, in the old days, The Lizard could control other small lizards. Now? Now he can tap into the lizard part of the human brain and control that. His first victim is Spider-Man who barely escapes and, after his mind clears, begins to form a plan that he hopes will stop The Lizard and save Curt Connors.
Meanwhile, The Lizard stalks the streets of New York City, almost totally free of Connors influence, and begins to awaken the lizards within the people of the city. Chaos is what follows.
As we race toward the end of the story, Spider-Man figures that if Connors was able to use a serum to contain the Lizard then maybe that same serum can help Connors control it and maybe even become human again. First, though, he drinks some of it to protect his brain from The Lizard’s influence.
As the city tears itself apart, Spider-Man faces off against The Lizard with everything he thinks might help, including a picture of Billy. Their fight is nasty and gets worse after Spidey gives The Lizard some of the serum and puts the picture of Billy up for him to see. As The Lizard loses it he has his mind-controlled humans attack Spider-Man and they certainly do a number on the guy!
The Lizard then begins to realize that he’s not as cold as he claims. He has certain feelings that can only be Connors human emotions inside him, preventing him from killing Spider-Man and making him feel shame for what he did to Billy. He also, for the first time, sees the world around him. Not just the dark parts but everything and realizes he doesn’t belong in this world.
In the end, much of New York is freed from The Lizard’s influence but some aren’t so willing to return to the ‘monkey’ part of their brains and they join The Lizard in the sewers as pets… for now.
As I said, it isn’t easy to find a Lizard story. I really don’t think there are that many and there are even fewer that are memorable. This is certainly one of the few that are and it has just as much impact and emotional punch as the other stories that made up The Gauntlet arch. It’s been collected inAmazing Spider-Man: The Gauntlet, Volume 5 and while it’s part of a larger story it can easily be read on it’s own and be fully enjoyed. I do recommend it.
The art on this story is something that simply needs to be seen. The Lizard’s new look is amazing and finally makes him something more than just another ‘lizard man’ and has made The Lizard a contender in Spider-Man’s gallery of rogues.
Then we have the covers. Nothing can be said about them other than…wow. These covers are amazing, my personal favorite being #630 which shows the emotionless lizard eye of The Lizard with the remains of Spider-Man’s costume hanging from his mouth. That is something the artists on this book did very well: Lizards don’t show emotion in their face and eyes and The Lizard doesn’t do either in this story either. It’s fantastic.
I’ve read this story a few times and it always entertains me. I’m just happy to be able to share it with more people now, especially since The Lizard is being introduced to the masses by way of the Amazing Spider-Man movie. If you saw the movie and want to read about the original 616 version of The Lizard then I would recommend this story as well as the equally dark Torment story from Spider-Man.